Thursday, April 1, 2021

Five Past Online Comics

By Bixyl Shuftan

I've been reading online comics for over twenty years, since the World Wide Web was just a few years old. A few from the earlier days of the Internet have gone on to today (link here). But many have not. Some were forgettable. Some mildly interesting. Others I occasionally recall and think about. Here are a few that I once read but for various reasons have stopped and become part of online comic history.

Haul Trek/Freighter Tails

Written by Paul Gibbs and drawn by Bill Redfern, the strip was originally "Haul Trek," a comedy tribute to Star Trek done from 1998 to 1999. The central character was Lt. M'Iskiti, a Caitian lady officer whom gets sent to a Starfleet garbage hauler following a prank on her previous captain. While things certainly look poor at first, the more she sees on her first day, the worse things look. The tone of the strip was comical with nothing too serious or threatening, aside from one's clothes and rubber mouse getting zapped by a stray gun shot. The poor kitty's big challenge however was keeing from going nuts and exhausted from things falling apart around her.

Paul Gibbs as it turned out wasn't just the creative force behind Haul Trek doing the story. He was a science fiction writer. He had written a novel centered around Animated Star Trek's Caitian character Lt. M'Ress and tried to get it published without success. He gave up after being told as it focused on someone other than the three main characters and had lasting consequences, the chances of it being published were nil. So for some time it was available online for anyone who read it.

Eventually, Gibbs and Redfern talked about the possibility of selling Haul Trek merchandise. But there was a problem. Since it was a Star Trek themed comic, legally they couldn't make any money off of it. So the comic was put on pause while they thought about a solution. They finally came up with one: remove the Trek elements and replace them. Gibbs did much the same with the novel and a sequel he had been doing. The strip's name was changed to "Freighter Tails." The character's name was changed to Mzzkiti and her species renamed to "Moggian." Instead of Starfleet, she and the ship were with the Space Protectorate Forces. But it was still the same "ship of fools" in which there was seldom a boring moment. It started up in 2001, and was updated roughly once a month.

Then on January 31 2002, Paul Gibbs died. He had been admitted to the hospital only one day earlier. A mutual friend told me it was pancreatitis that did him in. With Gibbs gone, the comic would continue for a little longer. But without his partner, Redfern lost his motivation. There would be only two more strips after 2002, 2003 and 2005. The last entry on the comic page is from 2008.

But Mzzkitti as a character wasn't truly gone. She would get some guest appearances in the "Cross Time Cafe" comic for several years. She was also part of a few crossovers over time, as part of "Haul Trek" and "Freighter Tails." The comic was also an influence on a comedy Trek sim I was in at the time.

The comic can still be found at ( and is pretty much G-rated, though some scenes might rate PG to some (blanked profanity).

Gibbs' work remains up at his website The Sah'haran Embassy (, maintained by a friend as a lasting tribute.

Dela The Hooda

Done by Style Wager and Greg Older, this was the story of Dela, a foxlike lady from another world whom ends up on Earth due to a mishap and ends up secretly living with a human friend. Wager was the artist of the strip. Older was a writer of fantasy games. One of his games was "Mhar: The Final Frontier," which is the story universe Dela comes from. The story went from about 1999 to 2012 on the comic's website.

The story begins with Dela starting a job as a programmer at a university on her homeworld. Unfortunately, she ends up working in the lab of a mad scientist whose experiment ends up accidentally sending her to our universe and to Earth. Ending up in Peabow Canada, she quickly makes friends with Sue, whom agrees to take her in. Arriving at the house, Sue's neighbor Jake sees them. Fortunately he agrees to stay quiet, but unfortunately he quickly shows a womanizing streak and isn't put off by Dela's fur and tail.

Dela's time on Earth has various mishaps and misadventures. As it turns out, she can still make limited appearances in public as people refuse to believe they're seeing a "giant fox" on two legs or think nobody would believe them if they spoke anything. Though going too far once gets the attention of the MiP, the "Men in Plaid" (Canada can't afford the suits the MiB can). The mad scientist whom caused her to get lost makes an effort to find her, though doesn't have much luck for a while. By accident, Dela finds a boyfriend. And later on finds she isn't exactly the only person not of this world on Earth. While there are occasional threats, the overall tone of the strip was comical and not too serious.

The comic's main webpage at ( showed the newest few strips. Checking out older ones was more easily done on the mirror website at ( At first, the comic was updated about once a week, but after a few years started to slow down. Eventually the mirror stopped updating at 2008, with the main website continuing until 2012. Both sites were eventually taken down, visible now only through the "Wayback Machine/Internet Archive." As it turned out, Wager's page on an art website had a few more strips with the last one at 2016 with no sign of a conclusion. He would state he's no longer working on the comic.

I found the comic a bit edgy such as a bedroom scene or two, occasionally a bit silly with people pretending not to notice Dela and the "Gelfs," but entertaining as I wondered what was going to happen to the vixen and her friends next. My only real complaint is the lack of a satisfying ending.

The strip itself rated PG-13, with occasional profanity, sexual humor, and adult situations.

Dominic Deegan: Oracle For Hire

"Dominic Deegan: Oracle For Hire" was written and drawn by Michael "Mookie" Terracciano. It was the story of a seer whose visions help out him and others on numerous adventures. Taking place on a fantasy world that humans share with orcs, elves, werewolves, and other beings, magic does there much of what technology does in ours. There are numerous threats some violence, and occasionally someone gets killed. But there's also plenty of comedy.

The story starts with Dominic scraping by as a seer telling fortunes for a living in a small town. Most customers have mundane requests, which doesn't help his grumpy manner. Then a vain woman whom doesn't like being told what she doesn't want to hear puts a mild but annoying curse on him. In his effort to get rid of it, he meets Luna Travoria. The two form a friendship that eventually leads to love. As it turns out, Luna is a talented mage whom was held back only by her lack of self-confidence.

As time goes on, other characters are introduced. Dominic's younger brother Gregory is a healer, but crippled from a magical attack that will take a while to overcome. The older brother Jacob however was fascinated with necromancers and became one. Their mother is one of the most talented mages in the land and the father a noted bard (and the one whom Dominic got his uncanny knack for puns from). There's the two bumbling thieves Stunt and Bumper, whom get into a number of amusing mishaps. One villain is an infernomancer with demonic powers. Another character when fighting demons ended up becoming one. Dominic also befriends orc shamans. And many other characters add to the story.

Over time, Dominic's opponents become more dangerous and sometimes otherwordly terrifying. Occasionally the villains and heroes aren't what they first seem to be. Sometimes not everyone makes it to the end. And the adventure doesn't always end with a happy ending for everyone. In his final adventure, Dominic pays a price for his efforts.

The strip would run from 2002 to 2013. For a time, Terracciano would work on other projects, notably the superhero and space adventure comic "Star Power." In 2019, he started a sequel, "The Legacy of Dominic Deegan." It takes place 200 years after the events in the first story, is told from the point of view of a deaf character, and there's nudity. So it's a different story in a different style in the same story universe, and I consider "Oracle For Hire" a separate comic.

I found the strip entertaining for both it's plots and the humor, yours truly never able to resist a good pun. While it could be violent at times, it was to demonstrate the viciousness of some characters. It was good enough to mention here despite the "R" rating of it's sequel.

"Dominic Deegan: Oracle For Hire" (by itself) rates a PG-13 due to it's violence and blood, as well as occasional language. 

To read the first strip of Dominic, Click Here (CAUTION: clicking on the main page may occasionally show nudity, so it's Not Safe For Work).


Drawn by Dan Canaan aka "Flinters", "Roomies" was the tales of Flinthoof and his friends. It takes place in an ordinary neighborhood in which the only big difference between it and our world are the anthropomorphic people, tigers, rabbits, horses, etc. But ordinary doesn't mean boring as all sorts of things can go wrong, as well as occasional weirdness.

Flinthoof Ponypal, or Flinters as he was sometimes called, was the main character of the strip. He was an anthro horse whom made a little money through various odd jobs with computers and cars, and had a serious mint addiction. His best friend was Tibo, a green tiger whom had a job as a programer but had a hobby fixing old computers. Tibo's best lady friend was Rhonda, a cute tall bunnygirl, or "Bhuuunnnnnny" as Tibo sometimes mutters when starring at her. Then there's her mother, known to the others as "Rhonda's Mother" or "RM," an aggressive doe rabbit whom is often the more sensible of the cast of characters, at least when not trying to correct her daughter. Other characters include Alex, a ditzy lady wolf with a love for toast.

The comic started in 1999. Most of the stories involved the characters getting by and trying to get through life, with reoccurring gags such as Flinter's mint addiction and guys going slackjawed and muttering "Bhuuuuuunnnnnnyyyy." But there was some occasional strangeness. One ordinary ferret gets mutated into a fully intelligent anthropomorphic one. Cultists kidnap one of the characters and end up foiled by one of the rabbits, "Naked bhuuuuunnnnnyyyyy." "I saw the bunny, and it was good." At one point a team from the future arrives to detain Flinters for supposed crimes that have yet to take place. And then there are the Cyantians. Canann would do a crossover with Tiffany Ross's Cyantian Chronicles with her character Rhonda making an appearance in one side-strip of Ross's, and Darius and others making appearances in Roomies. While there were minor threats in the stories, the tone wasn't serious and no one gets badly hurt.

Canaan would continue the comic until 2008. The final strips would show the characters with the Cyantians and on their way to Mars. On his art page, he would explain it was time to bring it to a close, not wanting to continue to the point it stopped being funny. For those wanting to check out the comic today, sadly a glance through the "Wayback Machine/Internet Archive" didn't show any strips at all. Anyone wanting to read the comic will have to buy his book online.

The comic was entertaining, though probably the main reason it stuck with me was "RM." In Second Life, among my group of friends is Rita Mariner, an aggressive alpha female doe bunny. While she wasn't a reader of the comic, she certainly acted like her "RM" was based on the RM of Roomies. But it turns out Rita never read the comic.

"Roomies" was a mostly tame comic, rated G with occasional PG.

The Cross Time Cafe

The Cross Time Cafe was a unique strip among online comics. Instead of the efforts of one or two artists, it was the combined efforts of several. Originally planned as a six-strip joke between a few artists on a mutual friend, it turned into a place where artists could have fun with their characters in a place outside the continuity of their own stories, and went on for many years. It is hosted by Scudder "White Pony" Kidwell on "White Pony Productions."

Of how the Cross Time Cafe got started, contributor "Sleepy John" described it as "It started with a hug." Around 2003, ne of the posters of the Freefall forum asked readers to post pictures of hugs, which lead to pictures of couples and other pairs of characters hugging or otherwise in scenes of friendship. Then a user named Hortmage suggested Freefall artist Mark Stanley draw a hug picture of the character Sam Starfall. Other readers quickly egged Stanley to draw Hortmage getting a face-hug from Sam. That led to a six strips drawn by Stanley in which several characters got together in a "Cross Time Cafe," and in the last one Hortmage got the long-asked for face hug.

And in Sleepy John's words, "and then it got weird." White Pony started hosting the strips on his website, and Scott Kellog of "21st Century Fox" and Kidwell added some strips of their own. Then Redfern gave the okay for his character Mzzkiti from "Freighter Tales" to be added. It was fun and silly games for a while. Then things got into the "Construction Period" in which robots from "Freefall" came in "with their own attitudes, tools and rotten puns." Kathy Garrison joined the artists and Kathy Grrson of "Carry On" joined the characters. Eventually other artists would join in, and even more characters were added. The results were often chaotic, but also fun.

The Cross Time Cafe would go on for fourteen years and hundreds of strips. But eventually the various artists would end up with less time to write. The last several were comupter images made by Kidwell, one character saying, "In the beginning, our world was overseen by a council of creators. Now our world of the Cafe is protected by only one creator - the overseeer. The overseer foresaw this and made arrangements for a new environment." And so in December 2017, the Cross Time Cafe would have the final strip with the last character taking a bow. But this wasn't truly the end as Kidwell would start a sequel, the CTC-Annex (link here)

While I perhaps didn't quite enjoy the Cross Time Cafe as much as the main strips of the artists, it was still entertaining. Perhaps there's just something about seeing characters just get together to have a little fun. 

On another note, I would meet many of the people in 2008 at the "Pony Con" (no relation to MLP) when we decided to get together at the town where the Kellogg farm was near. We had fun visiting the nearby Green Bank Observatory, which had the country's largest steerable radio telescope, went to a nearby train museum, and had lots of fun. The most memorable moment was  the picnic, and someone brought a "Sam Starfall" pinata. But the first guy to take a swing at it, well, let's just say swinging down instead of across was not a good idea (owie). Someone brought over a couple dozen books of the first 1024 Freefall strips that he had made at his expense. I ended up with a signed copy as a souvenir of my trip.

The strip rated G with occasional PG.

To read the first strip, Click Here.

There are plenty of others that I read that I fondly recall, such as "The Class Menagerie," "Absurd Notions," "Apollo 9," "The Suburban Jungle," and others. But any reviews of those will have to wait until another time.

What online comics of the past do you fondly remember? Feel free to leave comments below.

Bixyl Shuftan

ApRiL fOoL!!!


Happy April Fools Day from the Second Life Newser!

May your April Fools Day be filled with joy, merriment, and general foolery.

For previous April Fool jokes, check out 2020, 20192018, 2017, 2016, 2015, 20142013, 2012, and 2011.

Wednesday, March 10, 2021

Reaching Out and Remembrance

By Fritter Enzyme,

Depression is inevitable.

With things the way they are now it truly is. All of us are effected. I see so many online seeking friends to talk with. So many want to help, real problems require real assistance. I must state at the start, seek professional help. Below I will list some resources. They will lead to others. Depression comes to us all but not en masse and for this long. Other than wars we haven't dealt with times like these. There is much help is online, but as we recoup our lives we can again meet face to face. I hate to even mention the loss of pets during this time.

Holidays have been disturbed, traditions dropped, loved ones separated. Not like there isn't plenty of craziness other than the virus. We will want to have the past back, but things will not be the same.

Hot lines are a good way to seek help, if not in person. They can give you resources to fit your life and needs. But again, trained professional workers.

Some have told me they have no insurance. When I was without insurance I went through my county health department. Call 411 for First Call for Help. They can lead you to agencies to work with. Call 911 if it is an emergency!

National Suicide Prevention Lifeline


Survivors of Suicide in Second Life

SOS - Survivors Of Suicide, Legenda (46, 58, 22) - Moderate

Veteran suicide prevention

To connect with a Veterans Crisis Line responder anytime day or night:

There are places in Second Life to grieve and set up memorials:

Linden Memorial Park Candle Beach, San Michele (76, 152, 20) – General

CARTHAGE MEMORIAL, Carthage (51, 149, 46) – Moderate

Living Memories Memorial Garden, The Sardar (6, 101, 21) - Moderate

Fritter Enzyme

Friday, February 26, 2021

Philip Rosedale's "Ask Me Anything" on Reddit

By Bixyl Shuftan

On Wednesday Feb 24 at 11 AM, Philip Rosedale, the founder of Linden Lab and Second Life (still remembered here as Philip Linden) held an "Ask Me Anything" session. While he was more interested in his current company, High Fidelity, he was still willing to accept questions about "the virtual civilization ... populated by one million active users."

Hi Reddit!

I am the founder of the virtual civilization Second Life, populated by one million active users, and am now CEO and co-founder of High Fidelity — which has just released a real-time spatial audio API for apps, games, and websites. If you want to check it out, I’d love to hear what you think:

High Fidelity’s Spatial Audio was initially built for our VR platform — we have been obsessive about audio quality from day one, spending our resources lowering latency and nailing spatialization.

Ask me about immersive spatial audio, VR, virtual worlds and spaces, avatars, and … anything.

Some of the questions were irrelevant ones, "What are your thoughts on flying penises?" But there were plenty of relevant ones, many of which he answered. Here are the majority of them.


Philip, I have tried your High Fidelity 3D sound many times, and it's stunning. I wonder, however, if you still have dreams/plans for another metaverse? Thanks. DrFran


I love virtual worlds and plan to keep working on them in one form or another until I die!



Whats going to be the next big step in vr?


Typing at normal speed (probably by using see-through camera to show you a real keyboard) is the biggest change that would make VR devices usable for general computing.

Next would be reduced weight and greater comfort for longer sessions.

The 'big step' is simply to get to something that everyone is comfortable using.



Hey Philip. Cool to see you doing an AMA. If you were rebuilding a virtual world today, would you be including cryptocurrencies in there? What's your take on the timeline to making virtual worlds so realistic that people start being unable to distinguish them from reality?


Yes I would use cryptocurrencies, but NOT using proof-of-work as the consensus mechanism, since this puts the environment at risk. The consensus mechanism cannot trade units of the currency for electrical power - that is a recipe for global disaster. Fortunately there are many other ways of maintaining a distributed record-keeping system.



Do you think a shift in consciousness (social or spiritual) could be triggered through VR? Did you see any signs of something like that yet?


The internet (and VR specifically) has the potential to deeply connect people. But it can also disconnect and separate people. The difference is in the choices we all make about the products we build. But sometimes maximizing profit does not maximize public good. We are going to have to make the decision to use it for good, at a cost.



Why do you think Facebook is keeping Horizon so closed in testing?

Could they be worried about anti-trust action if/when social VR starts dominating the VR software market?

(I've been bullish on social VR engines "swallowing" games since at least 2012)


I don't know.

Social VR needs to be larger than one app or company or we are all at great risk.



I love virtual worlds, and I've been an SL resident since the early years. My work study in college was in SL.

This probably sounds like a dumb question, but... one thing I don't get is why HMD adoption is such a big deal.

I've used HMDs, I think they are cool, but I can't think of any content I really want to use an HMD for. Maybe a flight simulator, where my head can be another axis of control for guns as my hands control the space ship, but other than that... I just don't think it's necessary.

Why should I make the jump from developing content in SecondLife to develop for HMD platforms?


You should wait until there is a large diverse set of people using HMDs. There isn't yet. HMDs need to be accessible and comfortable for everyone: across age, gender, and race. They aren't yet.



Years ago I saw you do an interview where you created an avatar in AOL and jumped into the Sims I think. But your goal at the time was to make it so people could have avatars to jump from site to site. In second life, people jumped from unique created world like the sims to sim. And in high fidelity it was more jumping specifically to a URL. Are your creations getting you closer to that end goal?

Also, in High fidelity with spatial audio, how do you make a grid with entities horizontal and vertical where depending on where an avatar stands, they would sound different in reference to another avatar. Or the sound of a fountain as you get closer to it gets louder. These are all perceptions to make things seem more real as we know it. What will be the new reality we will experience in a virtual world. i.e. what is next?


The hard question, I think, is why we will want to jump between these worlds or share a larger world. Most games are intentionally holistic - it doesn't really make sense to jump between them. You don't want to drive a car from GTA into Among Us. So the big question about "what is the metaverse" is what sort of space(s) we want to share, and why? I don't think anyone has very good answers to this, myself included!



What are your thoughts on the dapp economy right now? From your experience in Second Life, do you see a world in Earth's future where people sustain themselves by making income as worker-consumers in a virtual world fulltime?


Yes: A few thousand people make their living today in Second Life, and that is a place that typically has around 50,000 people online. So absolutely people will sustain themselves increasingly as time goes by from work in virtual worlds.



Greetings Philip! There is a ton of 'buzz' lately about NFTs and Virtual Worlds. As someone who has created virtual economies from scratch and understands the desire of creators to control and derive value from their work, do you see a future where there is a standard, secure, privacy-focused #Metaverse currency? If yes, how can we avoid the negative ecological effects of current Crypto offerings?


Love the idea of NTFs as a durable way for art to move around and create more income for artists. Have seen similar things already in Second Life, which had transferrable/resellable secure digital assets from day one and a really big GDP in part because of that.

But... we can't use cryptocurrencies with Proof-of-work move them around because of the ecological impact. But of course there are alternatives to POW so that's great. Strictly speaking, a provable NFT doesn't strictly require a blockchain. Web of trust + signed proofs would suffice. But I love the overall progress so far and idea.



My question is:

  1. Apple is developing AR technologies. Do you think VR will eventually replace AR or do you think they can coexist in harmony.

  2. Do you think VR is essential to virtual worlds? And how far away are we in terms of technologies to develop a fully rendered real-life-like cities that players can join.


I think AR and VR are very different things. AR requires approaches that blend information with the real world and balance attention. VR is the opposite - total immersion. Both the hardware, software, and economic/social/moderation implications are very different for the two.

I don't think VR (if by that you mean HMDs) are essential to virtual worlds. We interact with virtual worlds with whatever interfaces we care to. We will probably never be 'natives' to those worlds through our interfaces, however good, btw.



There's one thing I wondered for a while: how on earth did you manage to make High Fidelity (the original, 3D one) happen? I mean, it was a platform that was fully open both on the client and server side, heavily distributed, with a cryptocurrency and made in such a way that made central control difficult. I have a very hard time imagining how one makes a business pitch for that. How do you convince people to invest in something you're allowing people to just take and do whatever they please with?

But however it happened though I'm very happy it did -- there's some excellent work in there, and we hope to keep it going.


Thanks! For a while there (2013-2019) it seemed like we would have hundreds of millions of people with immersive VR devices by 2020. That was a sound thesis for investing in a project like High Fidelity - especially given the success of Second Life in delivering many of those things to the desktop.

The failure of the VR HMD to reach mass-market (I think it is going to take about another 5 years) made it too long a project to keep pushing forward. And this kind of open / social experience would require mass adoption of the headsets.



What's a good entry point for VR gear that will work with High Fidelity?


The current version of High Fidelity is audio-only, so you only need a browser and (hopefully) some good wired headphones. We work on mobile and desktop, too.



Hey Philip. I had the chance to try out an HF demo last summer and think it is a very interesting concept for developers to build immersive, interactive spaces. I have two questions, you can decide if they are related.

- You oversaw the creation of one of the most immersive interactive spaces to date. Why do you think someone else will come up with something better than you as opposed to just building it yourself using your technology?

- We are seeing a rapid rise of virtual humans along with easier methods for people to create their own avatars and an increased interest in spending time in virtual spaces. When should we expect a new space where humans via avatars and virtual humans congregate and interact on a regular basis and when do you expect that space to reach some significant scale?


I think these are different questions:

There are 100+ apps/sites right now that are trying to create social spaces of one kind or another with a ton of highly specific features for different verticals, like customized buildable objects or shared whiteboards, or avatar pickers. That's a ton of people working on new worlds - hard to compete with them all. But none of them have audio that is even close to doing what we do with spatial audio. So enabling all of them to move forward faster (with our API) seems like the right move overall if we want to see more spaces out there.

As to virtual humans (powered by AI) - I think that AI is emerging as the most important and potentially dangerous area of human progress. We've done work on virtual humans and there are a ton of big problems still - we are very early. Visual representations can still be very uncanny. Another huge problem is bias, racism, and polarization coming through in their behavior and communication. As much as with AI as with ourselves, this is something we must address before moving forward. So I don't think we want to congregate with our digital children,



You have been working on sound, curious what other senses might be added in future to make a fuller experience? Many times I wish I could smell a candle, or a campfire or rain on pavement. Do you think some day we will be able to smell things, because as someone create a candle they could add the smell of watermelon to it in creation?


I love the idea, but I think the physics of simulating smell may never be possible.

But an even bigger problem is touch: We can't use our body's largest sense in virtual worlds. We can't 'feel' our bodies there. Our body is basically a part of our brain - pretty inseparable - when it comes to feeling things and moving around. I think there are some ideas yet to try (we built one called 'the rig' that was actually the first project at Linden Lab, before Second Life), but this is what we really need to make work - touch.



What good things do you do with your wealth, power and influence in the real world? Or are you just another member of the self preservation society?


I give to local charities to help people near San Francisco get by during and beyond the pandemic.

I am also devoted to using both money (funding) and my time and skills to make virtual spaces that are of a benefit to people, particularly in addressing racism and polarization.

I think that it is vital that those who have any degree of influence or power use them now and use them carefully to help steer the world toward greater compassion and connection.



What surprised you about how people acted in second life?


Lots! But I was deeply moved by how people came to know each other through their avatars, despite being unable to hear or see each other. I built Second Life with a focus on the 'lego kit' / Minecraft dream of building a simulated world and seeing what people would make, but I came to regard the connections between people it enabled as the most important thing.



Hey Philip! I'm an entrepreneur since 18 (33 now), and most of my successful business ventures reside within Second Life (Fennux, Fawns, Kreatures.)

Do you ever have a vision for something that no one else seems to really grasp? Maybe you find it hard locating others that share that same vision?

If so, how do you deal with that? (Clearly you still make things happen.)

If that's not an issue, what's your secret to attracting those that share your vision? Thanks!


Don't let it get you down. Sometimes you can see something (or an opportunity) that others can't see. When I was younger I would blame myself for being unable to communicate it, or get mad at people for not hearing me, or funding me, or whatever.

Now I relax and realize that we all have gifts to offer, we're all different, my gift is (sometimes) to have these strange ideas, and it's OK if those gifts are not always accepted.



Thanks for taking questions, Philip. I’m curious what you think about the potential for using VR spaces in education, particularly in support of students with exceptional needs (e.g. non verbal, students with autism)? If a teacher and student(s) can have avatars interacting in a virtual world, I presume we could eliminate a number of limitations we have in the real world. Do you have any insight into who might be already doing this well or where the technology is going in terms of serving students with special needs?


There were remarkable studies done in SL with adults with autism that you might want to look up. A guy named John Lester, aka Pathfinder Linden did some of the early work, but you will find numerous academic papers on the subject.



What are three core features / capabilities that you would like to see built out in Second Life over the next few years, and why?


I'm not running Second Life, so I don't have specific answers there. Some good recent changes have made it faster at the simulation layer (things like faster region crossing) - I know that is something people value and that I'd like to see get faster and faster.



What do you think of Decentraland?


It's an amazing experiment to watch! For simulation, I definitely think that long-term there will be a distributed compute model that makes the physics of the virtual world some sort of inviolable consensus. I'd like to see Decentraland add our spatial audio API!



Have you ever watched Sword Art Online?


Yep. The idea of being 'trapped in the simulation' is resonant for me. I think the 'boundary value problem' of how to make a consistent virtual world that nevertheless is acted upon by outside agents may turn out to be very problematic.

Look for example at things like Stephenson's 'Fall' - where a lot of how the world works is contingent on there being no way to influence the world. Important to think about.



Do you think a new virtual world will ever come along with a large focus on creating in the same way SL does? Why hasn't anything come along yet that overtakes SL in that way?


Creating programmable objects that you can edit live in a big world where things can both move and teleport around at will is a really hard problem. We wrote a lot more code to do it than people think - and as SL people will tell you there are still lots of bugs and edge cases. I think this is why we haven't seen more things like it - we were really ahead of our time. I bet we'll see some amazing new projects soon (but I guess I've said that before and been wrong).



When is Third Life going to be released?


Not in my life. :)



Why not do some of this AMA in High Fidelity? It would be a great way to demo the tool for others.


Great idea - We will do that toward the end so it's not distraction to typing fast!


 For the rest of the AMA, which includes after-event chatter, Click Here.

Bixyl Shuftan

Wednesday, February 24, 2021

Announcement: Rare Disease Day in Second Life


Rare Disease Day is a yearly awareness campaign in real life that is held on the last day of February each year.

Now, due to the COVID 19 pandemic, I will recreate this event in Second Life.

On Sunday, February 28th,  2021  from midnight SLT until Monday, March 1st, 2021 midnight SLT, we will have live artists and DJs playing live on our venue

What is Rare Disease Day?

Rare Disease Day takes place on the last day of February each year. The main objective of Rare Disease Day is to raise awareness amongst the general public and decision-makers about rare diseases and their impact on patients' lives.

The campaign targets primarily the general public and also seeks to raise awareness amongst policymakers, public authorities, industry representatives, researchers, health professionals, and anyone who has a genuine interest in rare diseases.

Why is Rare Disease Day held each year?

Building awareness of rare diseases is so important because 1 in 20 people will live with a rare disease at some point in their life. Despite this, there is no cure for the majority of rare diseases and many go undiagnosed. Rare Disease Day improves knowledge amongst the general public of rare diseases while encouraging researchers and decision-makers to address the needs of those living with rare diseases.

Key figures about rare diseases:

There are over 300 million people living with one or more of over 6,000 identified rare diseases around the world1, each supported by family, friends, and a team of carers that make up the rare disease community.

Each rare disease may only affect a handful of people, scattered around the world, but taken together the number of people directly affected is equivalent to the population of the world’s third-largest country.

Rare diseases currently affect 3.5% - 5.9% of the worldwide population.

72% of rare diseases are genetic whilst others are the result of infections (bacterial or viral), allergies, and environmental causes, or are degenerative and proliferative.

70% of those genetic rare diseases start in childhood.

A disease defined as rare in Europe when it affects fewer than 1 in 2,000 people.
Characteristics of rare diseases

Over 6000 rare diseases are characterized by a broad diversity of disorders and symptoms that vary not only from disease to disease but also from patient to patient suffering from the same disease.

Relatively common symptoms can hide underlying rare diseases leading to misdiagnosis and delaying treatment. Quintessentially disabling, the patient's quality of life is affected by the lack or loss of autonomy due to the chronic, progressive, degenerative, and frequently life-threatening aspects of the disease.

The fact that there are often no existing effective cures adds to the high level of pain and suffering endured by patients and their families.
Common challenges

The lack of scientific knowledge and quality information on the disease often results in a delay in diagnosis. Also, the need for appropriate quality health care engenders inequalities and difficulties in access to treatment and care. This often results in heavy social and financial burdens on patients.

As mentioned, due to the broad diversity of disorders and relatively common symptoms which can hide underlying rare diseases, initial misdiagnosis is common. In addition, symptoms differ not only from disease to disease but also from patient to patient suffering from the same disease.

Due to the rarity and diversity of rare diseases, research needs to be international to ensure that experts, researchers, and clinicians are connected, that clinical trials are multinational, and that patients can benefit from the pooling of resources across borders. Initiatives such as the European Reference Networks (networks of centers of expertise and healthcare providers that facilitate cross-border research and healthcare), the International Rare Disease Research Consortium, and the EU Framework Programme for Research and Innovation Horizon 2020 support international, connected research.
How can Rare Disease Day make a difference?

Rare Disease Day raises awareness for the 300 million people living with the rare disease around the world and their families and carers.

The long-term cause of the Rare Disease Day campaign is to achieve equitable access to diagnosis, treatment, health and social care, and social opportunity for people affected by a rare disease.

Important progress continues to be made with joint international advocacy efforts for universal health coverage (UHC), part of the United Nations Sustainable Development Goals (SGDs) to advocate for equitable health systems that meet the needs of people affected by rare diseases in order to leave no one behind.

Rare Disease Day is the opportunity to advocate for rare diseases as a human rights priority at local, national, and international levels as we work towards a more inclusive society.

Rare Disease Day is a great example of how progress continues to be made, with events being held worldwide each year. Beginning in 2008, when events took place in just 18 countries, Rare Disease Day has taken place every year since with events being held in over 100 countries in 2019.

We hope to see you at our event for Rare Disease Day in Second Life on Sunday, February 28th,  2021!

Wesley Regenbogen

Monday, February 1, 2021

Announcement: Help Wanted At Caledon Oxbridge University

 Caledon Oxbridge University is looking for volunteer staff!

    We are looking for new people to take over duties as professors. (New tutors are always welcome.) People who can provide coverage of the times when SL users who come from parts of the world other than North America would be an excellent addition to our staff.  Classes available during those times would also be welcomed by our students, including repeats of classes already in session during the SL afternoon and evening.

-- A brief explanation of COU titles:

    Tutors are the lifeblood of Oxbridge. They are responsible for spending time on campus and providing support, advice and information to all comers, from rank newbies to experienced residents pursuing the answers to esoteric questions. Must have a year inworld and are asked to serve a 6-month probation/training period.

    Professors teach our classes. They usually develop their own materials and graphic illustrations, as well as provide supportive extra materials to supplement their lectures.

Friends and Allies:
    There are several individuals who work behind the scenes at Oxbridge, often without formal titles. Their skills and enthusiasm fill many gaps left by other staff job descriptions.

-- Classes:

    New classes are always welcome. Professors receive a L$250 per diem per class session to cover the cost of uploading graphics. Most classes meet weekly, with the same lecture repeated every week. However, Photo Salon, the Animation classes and the Scripting classes, as well as Samm's Building/Texture class have established a precedent for more in-depth series.  Open office hours on some subjects have also proved successful.

    While all applications will be considered, Oxbridge prefers staff members to have a knowledge of Caledon, and its mores, culture and puns, as well as specific Oxbridge manners and guidelines. Part of keeping Oxbridge a safe space is for students to feel comfortable around the staff. Staff is expected to represent Oxbridge, abide by Oxbridge rules and support Oxbridge policies while at Oxbridge and while wearing an Oxbridge staff tag. Visible profile listings should be General. This does not prevent having a visible listing of an adult group if the listing itself is General-rated.

    Experience in another Oxbridge position, such as Tutor, is definitely a plus. An ability to work with other staff is required, as well as comfort dealing with the public, which may require patience as well as an ability to write clearly and succinctly.

    The excellent Professor possesses the ability to tailor class information on-the-fly to students who may be unfamiliar with computers and/or Second Life, may use viewers other than the default viewer or Firestorm, and may vary wildly in ability, basic knowledge and skill.

    On rare occasions, Professors are also asked to deal with behavior issues, ranging from newbies who change clothing on your stage to full-fledged griefers. Fortunately, things usually go fairly smoothly. Oxbridge professors are generally asked to teach using the default Linden Lab viewer, at least at the basic level of the class subject matter. However, familiarity with other viewers is always an asset.

    To apply to teach a class, please write up a summary of the class to present to Wordsmith Jarvinen, and be prepared to create complete lecture materials and graphic illustrations. Some support is available from former Professors and other staff. With some occasional leeway, prospective professors should be able to commit to a weekly or bi-weekly class time (any open time of your choice. The Alternate Lecture Hall can also be used.)  We will definitely consider guest professors who offer SL-related instructional lectures that are timely and pertinent

    Classes about aspects of buying and using mesh avatars are very much needed. It's a large, complex subject, so we probably need more than one class.

    A professor who takes over our How to Buy and Rent Land class, as well as a Smart Shopper's Fundamentals class, will have access to the former Professor's lecture materials (and associated slides?), so a new Professor would not have to start these classes from scratch. However, they are somewhat technical, so expertise in the area is needed, along with the ability and willingness to continually upgrade one's knowledge to keep the classes current.

-- Miscellaneous projects:

    While many of our staff fall into easily defined roles at Oxbridge, there are several people who choose to work behind the scenes on projects that benefit Oxbridge for which they have unique qualifications.  If you have expertise in teaching, writing, foreign languages, PhotoShop or Blender, or mesh bodies, there's a good chance we can put you to work on a project that doesn't necessarily require a specific time commitment or other such limitations. Have an idea?  Run it by Wordsmith!

Creating informational web page content like Avatars Reload – The Oxbridge Guardian ( would also be a valuable project for those who don't want to commit to a class. We're looking for content; we can do the web page coding.

Contact Wordsmith Jarvinen, Chancellor of Caledon Oxbridge University to pitch a class.  Contact any staff member to obtain an application for tutoring and a Tutor's job description.


Monday, January 25, 2021

Top Five Webcomics of the Sunweaver/Angels Community

By Nydia Tungsten,

I know Bixyl Shuftan put out a couple lists of his picks of webcomics (list one) (list two) and shared his opinion on which he felt were the best (I love most of those too). But I asked my community at large, the Sunweavers and Angels, what was their pick of the top ten.  The reason I only made a top five list is there were a lot of ties and one-offs. Some that I thought would be at the very top, weren’t. But that just goes to show everyone is different.

At number five, with a four-way tie, is:


   Doc Rat




   DMFA (Dan and Mab's Furry Adventures)


Kevin and Kell

   The Hunters of Salamanstra

Tied for the number four spot is:

   The Whiteboard







There are only two tied for the number three spot and those are:


   Carry On




   Out of Placers

You would think that the last two spots would be heavily tied. But no, they soared past the rest and everyone agreed, the number two spot for this list is:




   Girl Genius

Now, the  number one comic from everyone that I asked is…



I read every one of these faithfully, and to be honest what surprised me the most is only ONE of these comics has no furry connection at all and that is “Girl Genius.” Of course that doesn’t mean every character is human, but it still has a great story line.

Some people. If they like a book, they will re-read it. These comics listed here I have to admit I have gone back to the beginning and read them over, I enjoy them that much. There were many other comics brought up, that could not be added to the list because of the site they are found on (poor Bix would have had a heart attack). But, if you really enjoy webcomics, they are out there, don’t be afraid to visit sites you normally wouldn’t go to. And no they aren’t “Dirty comics” but have great stories and great artwork. So if you have never really read an online comic. Please take a look at these, we think you will enjoy them.

Until next time, “The library is now open.”

Nydia Tungsten